Apatampa eɛ a Fanti's na be a Gaana poɔ seɛrɛ kaŋa la a lɛ. Ba yipɔge wuli ka a yuori ŋa da eɛ ba saakom pare yuori, yuomo na pare ka noba da maŋ wa kpɛ koorɔ a fante dɔɔbɔ ka zie wa sɔɔ. Ka dɔɔbɔ wa zɔɔrɔ taa ana te ko taa, pɔge na veɛlɛ yaga maŋ yi la a deɛ yiele kyɛ seɛrɛ, ka a noba bee zɔɔzɔɔreba nimie ba maŋ la kyɛ a ba zɔɔre zie kyɛ ma kyo eŋ a saraa na. A lɛ yoŋ maŋ faare la a zɔɔre (apata ampa a Fante kɔkɔreŋ).

Apatampa
type of dance
Aŋa yitaalombileseɛre Maale eŋ
Instrumentcastanets Maale eŋ
Country of originGhana Maale eŋ

Boŋmeɛre

maaleŋ
 

A bone ŋa la ka ba maŋ de deɛnɛ ne a Apatampa; O maŋ eɛ aŋa dapagere, kyɛ ka a saazu waa pɛlegɛɛ lɛ kyɛ taa voɛ a saazu. O maŋ eɛ aŋa wulee. Ka o meŋ waa aŋa "aben" (a yuori la afrikyiwa)[1]

deɛne

maaleŋ

A bone ŋa la ka ba maŋ ŋmeɛrɛ, ba maŋ de a la lantaa kyɛ de tɔɔrɔ ne taa ka a yire. Ka neɛ woŋ a, o soba eŋɛ zaa maŋ maaɛ la vɛmɛɛ lɛ, kyɛ a ŋmeɛbo na maŋ laŋ lere ne la a yieli ne a boŋmeɛre.[2][3]

Sommo Yizie

maaleŋ
  1. https://vetter.sites.grinnell.edu/ghana/uncategorized/apatampa/
  2. Bannerman, Benjamin (2019). Dance and the Anglican Faith: Rethinking Ghanaian Neo Traditional Dances For Church Ministration. University of Ghana
  3. https://www.novica.com/p/african-fabric-collage/55237/